
John reviews the go forward cue so that hes telling Charlies hindquarters to move forward. That way hes not pulling Charlie forward with the reins.
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Ever notice toddlers
on Christmas morning? Cardboard boxes often provide them with more entertainment
than the gifts that came inside. Maybe you remember playing with cardboard
yourself, building a fort or trying to see if you can walk with a box on each
foot. Tap into that same creativity and have a play day with your horse,
improving his (and your) training at the same time.
Just to make it
challenging and productive, set some ground rules for yourself and your horse.
We know that the best way to control our horse is to tell one spot on the horse
to do something. So instead of telling the horse to move over, we tell him to
move his shoulder away from us. You’re going to use that same technique and tell
the horse’s nose, shoulder or hip to move. Here’s how John and Charlie Horse did
that and made playing with boxes a good training exercise.
First, John assembled
lots of boxes that were ready to be knocked down for recycling. He removed any
big staples that could scratch or injure the horse if he stepped on them wrong,
and John used his imagination in putting them in various positions in a
pasture.

Charlie is taking a big step to the right with his right hind foot. Johns focused on Charlies left hip. The moment that left hind foot comes off the ground to move to the right, John will release the rein.
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Charlies put it all together. Johns able to ask him to sidepass by talking to Charlies nose, hip and shoulder.
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| Think Out of the Box |
| Find ways to go play
with your horse.Make it fun, but set
performance standards so both you and your horse feel a sense of
accomplishment. Limit yourself to
using specific cues. Remember to “talk to”
one part of the horse at a time — the nose, hip or
shoulder. Warm
up by reviewing the cues. It will make the real exercise go smoother. |
Warm-up and
Review
John put a snaffle
bridle on the horse and set out to tune him up, using specific cues. John had
taught Charlie the “go forward” cue, tapping high on Charlie’s hip with a whip
to tell him to go forward and stopping the tapping as soon as Charlie took a
step forward. John also “kissed” to Charlie when he used the whip, so by now
Charlie understood that the kiss meant “move.” (If you’ve read Josh’s article
about “pre-cues” on page 10, you’ll recognize that John’s “kiss” is a pre-cue.
If Charlie doesn’t respond to the pre-cue, then John will follow up by tapping
the whip — the real “go forward” cue.)
Once Charlie walked
forward, John picked up the left rein and pulled it toward Charlie’s body.
Charlie already knew that as the signal for him to move his hips away from John,
so he swung his hips away and came to a stop. John petted
him.
Having reminded
Charlie of the “hips over” cue, John then reviewed the rein sequence he’d taught
him. (See the May 2005 issue of Perfect Horse.) He asked Charlie to walk forward
again, and he pulled the rein lightly toward Charlie’s shoulder. Charlie turned
his nose slightly toward John. Though if you were watching, it would look like
the same cue John used to say, “Move your hips,” Charlie knew the difference.
John gave a mini-release of the rein. That told Charlie he’d done what John
wanted, but that John wanted something more.
Charlie felt that
John was focused on his ear, so Charlie dropped his head. Again John gave him a
mini-release, and again he picked up the rein. Charlie tuned in to see what else
John wanted, though he already knew, since he had learned the sequence. When
Charlie relaxed the long muscle on the left side of his neck, John gave a
mini-release of the rein and then picked it up again. Charlie swung his hips
away, as he’d done at the beginning. John totally released the rein and petted
him.
They switched sides
and did the same exercise with the right rein (which Charlie’s not quite as good
at). Hips over, release. “Give” with the nose, release. Drop the head, release.
Relax the neck, release. Move hips over, Release. After about five minutes, John
and Charlie were ready for the box exercise.

John practices cues with Charlie near the boxes, so Charlie can learn to concentrate on John even though the boxes are distracting.
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John has used the go forward cue to tell Charlie to go up to the boxes. Charlie dropping his head to investigate the boxes is a good sign, but Johns aware that Charlie could easily attempt to pull away, if he got startled.
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Charlie takes one step into the boxes. John stops him then, to tell him he did well.
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Charlies walking through like an old pro. John has released the rein so that Charlie knows continuing to walk is the right thing to do.
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Approaching the
Boxes
John had piled the
boxes all in a heap, and as you can imagine, when he led Charlie toward them,
Charlie looked at them suspiciously. (He probably couldn’t figure out how that
pasture had “grown” boxes
overnight.) When Charlie paused, John petted him and allowed him to
stop.
Charlie was telling
John that’s as close to the boxes as he felt secure about. If John had pressured
him to go forward then, Charlie’s fear of the boxes would have risen. Instead,
Charlie was able to drop his head and get a good look at them. John reviewed the
exercise he’d done earlier, so that called Charlie’s attention back to the cues,
and he realized that the boxes were OK.
After about 30
seconds, Charlie was ready to approach the boxes. John’s goal was to have
Charlie walk through the pile.
John ignored that
they were boxes and pretended that he was teaching Charlie to load into the
trailer. He asked Charlie to put one foot forward toward the pile. Charlie
started forward, and John stopped him after one step, asking him to relax his
neck. John knew that if Charlie got a box caught on his foot when he walked into
the pile, he might get frightened.
Charlie dropped his
head and sniffed the boxes. John petted him. He asked Charlie to step forward
again. Charlie did, and John stopped him after one step asking Charlie to step
back. He had wanted Charlie to step onto one of the boxes and then off again, so
Charlie would realize that he wasn’t trapped.
After a few times of
one foot on a box and then off, John allowed Charlie to take two steps into the
box pile and stop. Naturally, Charlie was worried, and he raised his head and
stiffened his neck. That’s where having practiced the earlier exercises came in
handy because John could immediately ask him to drop his head and relax.
John continued to
play with the cues until Charlie was marching through the boxes as if they were
just cardboard grass. John’s next idea was to ride Charlie through the
boxes.

Charlies dropped his head to investigate the boxes. John doesnt pressure him to go forward, but allows him to relax.
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Only when he feels confident that Charlie will respond correctly does John squeeze him to ask him to walk forward.
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When Charlies walking through the boxes, John leaves the reins alone. That tells Charlie hes doing what John wants.
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What a brave horse! Johns proud of the good job that Charlies done. Now its on to other box configurations and more fun.
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Saddle
Up
John reviewed the
same cues from the saddle. Instead of the “go forward” cue, he used the “speed
up” cue, the squeeze of both his legs to tell Charlie that he wanted
movement.
John reviewed the
same rein sequence as he’d done from the ground. Charlie doesn’t care whether
John’s on the ground or in the saddle when he picks up the rein. He just wants
John to release the rein. It gets to be a game, with Charlie trying to give John
the right answer the instant he feels John pick up the
rein.
John rode toward the
boxes, and Charlie marched forward as if he was proud that he was an experienced
box-walker. They had a ball, with John trying to see how many boxes he could get
Charlie to step on and squash.
John asked Charlie to
sidepass through the pile. He rode around the pile, stopped and had Charlie back
through it. You wouldn’t have wanted to be a cardboard box in the pasture that
day, but Charlie and John had a great time.
Beyond One
Pile
Now that you’ve seen
John ride out of the box, you’re ready to tackle the exercise, too. But don’t
limit yourself to one pile of boxes. Pretend that you’re 10 years old and see
how many ways you can make the boxes work for you.
Line up the boxes in
two rows and lead your horse through the “alley” that you created. Or make a
line with a box about every five feet, and play “in and out the windows.” Form a
triangle with three boxes and see if you can ride a circle around each box, and
make all three circles the same size. The possibilities for having fun are
endless.