
From left to right, top to bottom: Bob Feist, Allen Bach, Mike Beers, Denny Watkins and Walt Woodard. Photos courtesy of PRCA.
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It’s rare for anyone to do anything 30 years in a row.
To be competitive at a professional sport that long would seem highly
unlikely, if not impossible.
But history happened June 18 at the Reno Livestock Events Center, when Allen
Bach, Mike Beers, Denny Watkins and Walt Woodard roped at their 30th straight
Bob Feist Invitational Team Roping Classic.
These four guys were gearing up to go to BFI ’07 when I visited with each of
them. And they were just as excited about this 30th annual event as they were
about the first one. Completely competitive, too.
This isn’t a case of a few hangers-on throwing their names in the hat for
old-time sake. Allen’s the defending world champion heeler, and Walt is the
reigning reserve champ of the world. Denny and Doyle Gellerman darn near won BFI
’06 when they finished second only to titlists Brandon Thone and Chad Harper.
And Mike’s giving the team roping pack a serious run for the 2007 gold buckles
with his son, Brandon.
A whole herd of today’s best ropers hadn’t yet been born 30 years ago. These
guys were already dominating. And they keep proving that they’ll still take your
money today.
Allen, 50, Mike, 48, Denny, 51, and Walt, 51, have taught and mentored 30
years worth of ropers. They practice what they preach on a daily basis, and
apparently there’s something to it. They talk the talk at their roping schools,
then turn around and walk the walk at the ropings and rodeos. The young guns
respect them, and rightly so. They’ve earned it.
I find it an amazing feat that these four have failed to be derailed from the
BFI contestant list in three decades. How, I had to ask, is that even possible?
Clearly, this roping is a priority for every person who ropes for a living. But
there’s more to showing up to anything that long than just desire.
"Bob established the BFI as the most prestigious, best roping of all time
right off the bat," Allen explained. "It was instilled in everybody’s minds that
you have the NFR (Wrangler National Finals Rodeo) for rodeoing and the BFI for
roping. If you rope for a living, you have to be there. It’s been engrained in
us that if you rope for a living, you do not miss the BFI. It’s continually
grown and gotten a lot better."
"I would have never thought I’d be going to the BFI 30 times, much less that
I’d still be competitive at this point in my life," Mike said. "There have been
times it was tough to gather up the fees. One year, Shain Sproul and I won our
entry fees to the BFI at a roping up in Olds (Alberta, Canada). One year, my
close friend Bob Scott sponsored me. But thick or thin, I found a way to get
into the BFI. It’s the best roping in the world. It’s the most prestigious.
There are other great ones, but this is the best day of roping there is.
"You also have to be one of the top guys to rope there. Anybody and their dog
can’t enter the BFI. You have to be one of the top guys to be invited.
I
remember that first year (in Chowchilla, Calif., in 1977). You had to
have an
invitation from Bob, and there were guys who roped good who
didn’t get one. So
it was quite an honor to get to rope there. I have
so many special memories from
this one roping that I can’t name them
all. It’s a first-class roping. Bob and
his staff do a great job. I’ve
won it once (with Dee Pickett in 1987) and placed
there two or three
different times. I’m planning on winning it this year. We all
go into
it planning on winning it. But I’ve got great feelings about it this
time."
Denny says it’s more a question of "why not?" than "why?" when it comes to
backing in the BFI box year after year.
"My grandma used to say, ‘Time waits for no man. Do the things you want to do
in life,’ " he said. "She always used to say, ‘The trouble with life is
we’re
too old too soon.’ As long as I enjoy it, I’ll keep roping. The
four of us were
there when Bob Feist introduced this roping. It was the
first roping of this
magnitude. We used to sit around and say, ‘Man,
what a great opportunity to win
a lot of money.’ And nothing’s changed
there.
"Five hundred dollar fees were unheard of 30 years ago. But I like to rope
for money. I always have. I didn’t look at what it cost to enter. I
looked at
what I had a chance to win. I’ve won second twice, first once
(with David Motes
in 1981), and placed several other times. In 1987, I
won three rounds in a row
with Bobby Hurley."
And Denny’s BFI memories don’t end in the arena.
"For me, there’s more to this particular roping than just the roping," he
reminisced. "The first year Bob had the roping, my wife and I were
talking about
getting married. I told Cathy, ‘If I do good, we’ll go
buy that ring.’ Julio
(Moreno) and I won second, and we went and bought
our ring. That roping holds
dear to me for that. Cathy’s my rock. I’ll
be married to her for 30 years this
January. The BFI is our annual
thing. I’ve always told her I wouldn’t go if I
couldn’t win. I’ve had a
lot of good years at the BFI."
Denny also remembers rocks in the BFI road along the way.
"I remember when Feist came to us in 1983 at the Red Bluff Round-Up," he
recalls. "He said he wasn’t going to have his roping that year, and he
didn’t.
Us open ropers didn’t have anywhere to go back then. I told him
he had to have
it. I told him to raise the fees. It hadn’t gone over
real big in Denton (Texas,
in 1982). I told him he was the only thing
we had besides the NFR that was still
anything big for the open ropers.
He said, ‘Alright. If you guys really want it,
I’ll try it again.’ He
told us later, he had a spot for us in 1984, roping
outside at Reno. We
had it in October, and it snowed on us. It moved to June in
1985.
"If I went to one roping a year, this is the one I want to go to. I love this
roping. I love the atmosphere. And we were there on the ground floor.
There’s a
huge fan base at the BFI. I have a lot of students who go
watch it. It’s kind of
a reunion and honeymoon for Cathy and I. Plus,
it’s just a great
competition."
Walt loves everything about the BFI, which he and his family look forward to
every summer. And Walt’s a guy who studies it all, from the intricacies
of
roping to the business end.
"I’m such a fan of team roping," he smiled. "Leo (Camarillo) said it best
when he told me one time, ‘If I can’t heel I’ll head, and if I can’t
head I’ll
run the chute. I just want to be around it.’ I feel the same
way. I love the
sport so much, and this roping that Bob Feist created
was such a novelty back
when he came up with it. I remember reading
about it the first time. It was
like, ‘What? You’ve got to be kidding.’
The two premier events people lived for
before the BFI were the Oakdale
10-Steer and the Chowchilla Stampede in
California. I couldn’t wait for
the first BFI to happen. It was such a huge
event.
"There aren’t a lot of people who do things for reasons other than money—for
the love of the sport. Most people take big percentages out for stock
charge and
office charges and promotions—40 percent and more. A third
is pretty common.
Feist takes an unbelievably tiny amount out (3
percent of entry fees, to be
exact). I don’t know hardly anyone who
would do this. If I can crawl to this
roping, I’ll be there. And I
don’t want to just show up. I want to have a chance
to win. Jack
Nicklaus quit playing in The Masters not long ago. When he did
that, he
said, ‘I don’t have a chance to win and I’m taking a chance away from
someone who does.’ When I feel like I’m taking a spot away from a young
guy who
has a chance to win this roping, I’ll bow out. If I can’t rope
competitively,
I’m gone."
So, guys, what’s so special about the BFI that it makes your mustn’t-miss
list?
"This roping has always been a horsemanship test," Allen noted. "Bob
experimented with locations, then went indoors with it, to the best
indoor arena
out West (the Reno Livestock Events Center).
There’s a lot
of room, and he lets
the score out there as far
as that arena allows.
It’s really challenging. You
really have
to be mounted. The header has
to handle cattle and set things up. At
a lot of these other ropings,
just about anybody can beat you.
But at this one,
you have to be
mounted and you have to use
your head."
"The way this roping is run and the atmosphere make it special," Mike said.
"It’s a longer score, six-steer average. All the people who come to
watch it is
pretty cool, too. People come to the BFI to watch
the best
ropers in the world.
That in itself makes it
different. The best 100
teams in the world rope at the
BFI.
That’s what sets it apart."
"I’ve always loved this roping," Denny declared. "But the minute I don’t
think I can win, you won’t see me there. I really enjoy this roping and
the
fellowship. I never watch the roping. I sit with Cathy in
the
stands and visit.
It’s a long day, and I don’t like to get
involved in
what everybody else is
doing. I can’t control what
they’re doing. I can
only control what I’m doing. I
don’t
think any one particular thing
sets this roping apart. It’s just The
Masters of our sport. There are
other good ropings. But the
BFI, to me, is The
Masters. It’s the most
prestigious roping."
"I’m a freak about this sport," Walt added. "I love it. I teach it. My son
ropes. My wife ropes. My dad ropes. We’re fans of it. We love it. Bob
Feist and
his willingness to do something just for the love of
this
sport sets this roping
apart. He started this whole thing
out of
respect, admiration and giving
something back to the
sport, and I’m a
beneficiary of that. Every guy who ropes
for
a living is a beneficiary
of that.
"You can buy a home in some parts of the country for what this roping pays.
It can change your life. That’s incredible. There’s no reason for Bob
to do this
other than to give something back to the top level
guys
who’ve laid it out there
and dedicated themselves and
devoted their
lives to this sport. That gives me
goosebumps.
I’m honored to be
involved in this roping."
My perennial BFI roper panel is divided as to why four heelers have outlasted
the rest of the original entrants. Like Allen said, "I don’t
want to
pretend to
have the answer to that. I’d almost call it
an accident,
because there are some
really great headers
who’ve been around just as
long as we have, guys like Jake
Barnes, Tee Woolman and David Motes,
who’ve had really great
longevity." Mike’s
only guess is that heading
is more
physically demanding than heeling at the
world-class level. And
Denny said, "I think it’s a coincidence. David Motes and
Doyle
Gellerman could be on the list just as easily as the four of us.
Something
just came up a time or two for those other guys."
Walt was the most opinionated on the panel regarding this point.
"It’s easier to survive in terms of longevity for heelers," he said. "It’s
more physically demanding to head than it is to heel, and it’s harder
to get the
great head horses. You can get by on lesser horses
as a
heeler. This is The
Masters. This is Pebble Beach. If you
can’t hit a
ball in the wind, don’t golf
at Pebble Beach. If
you don’t have a great
head horse, you better not go to the
BFI. Because that place’ll eat you
up if you aren’t up to the
test."
Their BFI partners roster reads like a roping Who’s Who. So I wondered who,
in their eyes, tops their all-time BFI chart?
"Daniel Green comes to my mind," Allen said. "The four guys who really stick
out are Matt Tyler, Charles Pogue, Jake Barnes and Daniel. In each one
of those
cases, their concentration to not miss is so good
when it
comes to conditions
like this, where there’s a long
score and you
really have to make your horse
run. Those guys
are all great.
"Daniel stands out, because he’s likely to throw a coil coming to one. If I
had to bet my life on someone not missing, it’d be on Daniel Green,
even
dropping a coil, because his concentration is so
phenomenal. He
was so much fun
to rope with. He was such an
awesome partner to not
miss or break out. I roped
with Jake a
lot at this roping, and we
almost always placed, too. What can you
say about Charles on Scooter?
Same with Matt on his good
horses."
"I’m going to say Dee Pickett, because I won it with him," Mike stated.
"After this year’s roping’s over, I’ll have to say Brandon Beers,
because he’s
got my blood in him."
"I won it with David Motes and have placed in the average more with him than
anyone," Denny said. "He and I were just a good team. I’ve had really
good
partners at this roping."
"Wow. That is a great question," Walt wondered. "I would have to say Clay
Tryan (his 2007 partner). He’s such an aggressive roper. He’s already
won it
(with Patrick Smith in 2005). He believes he’s going to
win it
again. He’s not
intimidated by that place at
all. I’m
really, really
excited about it. Clay
doesn’t just try to
survive at jackpots and just
catch. You get into trouble
just
trying to survive at
the BFI. Gloom
and doom will hit you if you do
that at
this roping. You need to attack
all the time at this
one, especially in the
first two go-rounds before
the
cattle
start to soften up."
Given that virtually every roper from 5 to 85 has pretended to win the BFI at
one time or another in his or her practice pen, I had
to ask
the
big-dog
veterans: What does is take to win
this thing?
"It’s pretty important to draw pretty good on the first three steers and to
be pretty aggressive," Allen said. "It’s kind of easy for a header to
lay off
the barrier and for the heeler to take a couple extra
swings.
But if you do
that, you might look up and
find
yourself four seconds
behind. I really believe
you need to
stay aggressive early on and set
yourself
up to be in the driver’s
seat. Then if you happen to get that
steer that runs you down
there and you’re a
long 8 or
short 9, it’s not
nearly as bad.
How you draw and what kind of
start
you get in those
first
three rounds dictates a
lot."
"It takes six clean runs to win the BFI," Mike said. "I’ve only roped six
clean steers there once, and I won it. I’ve placed there a couple
times, but I
roped a leg on one steer."
"It takes getting our horses really prepared right," Denny figures. "And
mentally preparing ourselves right. We know how to rope. Most of us
have roped
thousands and thousands of steers. Winning is a
mindset. I
take it one run at a
time. I don’t get
caught up in
the times. I get
around each steer as fast as I
can, and take
the cards as they fall. If
I draw good
and rope as good as I can,
I’ll win good. I don’t get
caught
up in the hype. I stay
focused on my job,
which is to rope two
feet as fast as I can.
I make a lot of practice runs as if
I’m there
for months
before the BFI. I set my shots
up, and take them. You have
to
rope aggressive, but
you have to rope smart."
Walt’s won everything but first at the BFI heading into BFI ’07.
"You’re asking a guy who’s never won it," he smiled. "That’s like asking a
fat guy the secret to losing weight. The key to this roping is the
first three
steers. They’re critical. If you’re 25 on the
first three,
I don’t think you
have much of a chance.
It’s
happened. But 21-22 on
three at this roping makes it
really
fun the rest of the day. You get
windburns on
your cheeks in that first
round when the steers are
flying. And when they’re going that
fast, it’s hard to
heel them. It’s
so easy to say you’ll just
go catch.
But then you’re behind. And
when
the steers let up
in
the later rounds and start letting everybody be fast,
you can’t make
up any ground.
"Every year at this roping, the guys that jump out early have a huge
advantage. Just for the record, I had that roping won last year. I was
fast on
three. Then I drew the steer from hell in the fourth
round. He
ran hard and ran
left. I had to follow him,
was 12
or 13, and it took
me out of contention. I had
a great start
going. I was cruising along,
right on
the lead, no problem. But in
order to win the Indianapolis
500, you have to have some
racing luck. That place
is
dripping with
talent. Everyone’s
been home, they’re tuned up
and rested.
Everyone is
completely
prepared when we
get to this roping."
The BFI set the standard for every big-time roping that’s followed. Is its
impact on the roping industry and roping history as huge as it seems to
me?
"It paid two or three times as much as any roping we’d ever been to from day
one," Allen explained. "Other producers who wanted to have a
prestigious roping
modeled their events after the
BFI. Some of
them got
creative and changed it up.
But
I really believe that
Bob impacted all
the good ropings we
have today. There
really
are a lot of people who
like
to watch us rope for a lot of money."
"Spectators today want to see the best ropers rope, and the BFI has a lot to
do with that," Mike agreed. "The BFI was the start of it. The BFI’s
been to
California to Vegas to Texas to Reno. When Bob decided
to do
this, it started
giving open ropers
somewhere
to go.
Back when this
started, you had 40
good open
ropers. Now you
have 200. The BFI was
such a good
roping that everybody wanted
to get good
enough to be
invited
to rope in it."
"There’s no question the impact this event has had," Denny said. "They’re
getting these bigger ropings scattered all over the place. The BFI is
so
important, because it was the footstep to the whole thing.
It is the
roping that
started all big-time ropings.
It is the
premier event."
"The BFI has changed people’s lives," Walt has observed firsthand. "My son is
a BFI winner (Travis won it with Mikey
Fletcher in
2003).
People are
known for
winning the BFI. That
goes with you the
rest of your
life.
Everyone knows if
you’ve won the BFI. Like
Travis says, it’s not for
the rest of your life, it’s
for the
rest of time. He
said that when he
was a little kid going to the BFI to
watch it—long
before he ever won
it. It stays with
you
forever."
Bob Feist is the first guy who ever paid me to write a story. So he was a
pretty pivotal person in my career. What about you?
"I’d like to thank Bob for believing in us and the sport enough to keep
dedicating himself every year," Allen said. "Bob and his mom took Peggy
(Big
Al’s better half) and I on our first
date. We
went to
Marine World
Africa USA in
California. I
still remember riding
in the back seat
and
holding hands. We
were
friends, so I felt
Bob’s pain in getting this
roping started and keeping
it
going. The fact that he
made that
commitment to stay hooked
all this time is a
way
bigger deal than us
four guys roping in
all 30
events. Bob actually produced
all 30 events.
People
are
passionate about this roping. We all dream of winning
this
thing. (Bach won it in 1979 with Brian Burrows.)"
"If it wasn’t for Bob Feist, I don’t know what would have happened to open
roping," Mike marveled. "He’s the first one who took it upon himself to
make a
bigger, better place for the open
ropers. It
was his
vision that
took team
roping to another
level. Stephanie
(Anderson) and
that whole
staff have been a
huge factor in
this
thing, too. Bob’s been a great
asset to team roping. If it
hadn’t been for him, we wouldn’t
have seen
the open
ropings we
have today."
"I give Bob the biggest thank you that you can possibly imagine," Denny
chimed in. "Without him, I don’t think the team roping world would be
where it
is today. I really don’t."
"It’s so admirable that someone would do something simply for the love of the
game," Walt said. "That’s the only possible
reason to
have
done this.
Bob’s
saying thank
you to this sport.
It’s for the
little kids who sit
in the
grandstands
and watch it thinking,
‘One day I’ll be good enough
to compete
at
the BFI.’ And the
ultimate dream, ‘One day I could win
this roping for the pride
of my family.’ Travis’s BFI saddle
sits in
our living room.
That’s how much this
roping
means to our family.
"The BFI is to roping what the Kentucky Derby is to horse racing, what the
Daytona 500 is to stock car racing, what the Indy 500 is to open-wheel
racing.
This is our premier event. That guy qualified for the
NFR, won
the NFR, won the
world, won the BFI. Those
are the
four things people
are known for. This thing
is phenomenal.
Fantastic. The numbers speak
for
themselves, and no other roping
can compare to
it. To compete
against 99 teams for $70,000
(per
man)—anyone who
is
not amazed by this
roping flunked
math. I feel extremely
fortunate and
grateful to
still
be
competitive and to
just be linked to this
roping and these
other
three guys.
They’re all so
mentally tough. I’m very humbled to be in
their
company."