| A Story of Hope, Heart and Class |
May 28, 2009
by John Strassburger
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Rachel Alexandra and Mine That Bird. They’re the kind of stars who make
horse racing a compelling game to play or to watch. And, in a broader context,
the attributes of hope, heart and class that they exude are really why most of
us own, ride or train horses.
Mine That Bird is the epitome of hope. He was a relatively low-priced
yearling (he sold at auction as a yearling for the bargain price of $9,500),
probably largely because of his small size (he stands only 15.1 hands now) and
he reportedly toes out a bit in front. Those two reasons probably contributed to
the decision to geld him, a decision that I’m sure many regret now.
But someone saw enough promise in him to race him, and he finished 2008
as the Canadian 2-year-old champion. That’s when his current owners, an equine
veterinarian Leonard Blach and a cowboy named Mark Allen, put up $400,000 to buy
him and send him to a trainer named Chip Woolley at Sunland Park in New Mexico.
And that’s where the strongest hope came in. He ran nicely this spring at
Sunland, but logically Woolley shouldn’t have made the now-famous trailer trip
with him to Louisville at the end of April. Before the race, he looked like one
of those horses who’s there just because the owners wanted to say they had a
Derby horse.
Yet they truly hoped the diminutive bay gelding would do more than
that—and he did. Man, what a race he ran, displaying a great closing kick and
tremendous heart to push his way through on the rail.
The day before Mine That Bird’s $100 upset win, the racing world feasted
on the sight of Rachel Alexandra’s extraordinary triumph in the Kentucky Oaks.
With jockey Calvin Borel (who’d guide Mine That Bird home the next day) looking
as if he were riding a morning training gallop, the strapping filly played with
a top-class field from the start and then left them in the stretch as if they
were standing still. It was an awesome performance, the hidden awesomeness of
which was brought home in the NBC telecast of The Preakness. Hall of Fame jockey
Gary Stevens showed that Rachel Alexandra glided through the last three furlongs
of the Oaks only about half a second slower than Mine That Bird charged through
the last three furlongs of the Derby.
So hope, heart and class all collided in The Preakness, and class made
the difference. Mine That Bird ran a huge race, proving that he’s for real, that
he’s a hell of a good racehorse and that he has all the heart a horse could
have. But he still could not pass Rachel Alexandra. She was just too good; she
has too much class; she is that exceptional racehorse who can turn on another
gear whenever she needs to.
You could see that Calvin Borel seemed almost overwhelmed after the race.
Instead of whooping and hollering like he usually does, he seemed awestruck by
Rachel Alexandra’s performance. The other jockeys and horses had thrown
everything at her but the kitchen sink—they forced her wide and sent a ceaseless
succession of horses after her to pressure her—and she’d turned them all back.
And she did it even though, as Borel said from her back, she didn’t feel
comfortable on the track, that it’s surface and consistency didn’t suit her. He
said that at Churchill Downs she felt like she was gliding across the surface,
and at Pimlico she felt like she was swimming. But she still got to the finish
line first. That’s class and a huge dose of heart.
Rachel Alexandra has a will, a desire to perform, that you can feel in
all good horses in any sport we do with them. It’s something you can’t explain
to people who don’t have horses, but it’s a special feeling, a special bond we
develop with our horses. And if you watched The Preakness telecast carefully you
could especially see it in Calvin Borel, as well as with everyone associated
with Mine That Bird. Whenever horses have that class and that heart, we can
always have hope.
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| More of Your Comments |
May 19, 2009
by John Strassburger
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Last week I responded to one reader who commented on my initial blog
“Let’s Talk About Breeding Horses” on April 7. This week I’ll respond to another
thought-provoking comment from a reader on the same blog.
Donna, who offered neither her last name nor her state, wrote,
“What
about all the unwanted horses in the U.S.? That would be a good topic for your
blog. What if all the breeders only produced half of the foals they were
planning on, or, better yet, took a year off. I think this would be good for the
canine world as well. The price of horses and dogs would go up, and the number
of unwanted horses and dogs would go down. I realize the sporting world of horse
is different than the backyard breeders, but so many of these horses bred to be
a sporting horse end up as a backyard trail horse.”
As Donna suggests, it would help the unwanted-horse situation if we bred
fewer horses. It would especially help if the people who breed the mare they
have because they can’t ride her (because of unsoundness of limb or mind) would
stop and think for a moment: “Why am I breeding a mare who’s a failure? And what
am I going to do with the foal? I don’t know how to start a young horse,
couldn’t possibly do it anyway, and can’t afford to pay someone else to do it
right.” The result of not thinking? Very likely that foal just rots away
somewhere.
And certainly the leaders of our Thoroughbred, Quarter Horse and
Standardbred racing industries could invest more resources into what happens to
these horses after they’ve finished racing. Very often these geldings and mares
are lovely horses, highly suited for another job. (I’ve owned about 15 former
Thoroughbred racehorses in my life and ridden dozens more, and I now have a
Quarter Horse former racehorse.) But these horses are often too high-octane for
the average rider. And then there are the injured ones to deal with, some of
whom should be euthanized to avoid further suffering.
But—and this is a BIG but—we’re still left with tens of thousands of
horses, of all breeds and backgrounds, that are old, injured, sick, or that some
kid or adult has lost interest in (often because they couldn’t ride the horse).
These owners are often unwilling or unable to pay a veterinarian to euthanize
the horse, plus the owner has to deal with the carcass, which can cost hundreds
of dollars, depending on where they live. And they often lack the inclination or
knowledge to pursue other options.
Euthanasia, or humane destruction, is an emotional subject for horse
people. No one who loves horses ever wants to see them die, but death is an
inevitable fact of life that our society would prefer to pretend doesn’t happen.
The unchangeable fact is that death comes to every single human and animal on
earth.
To tell you more about the euthanasia option for unwanted horses, I went
to the excellent websites of the American Association of Equine Practitioners
(www.aaep.org) and the Unwanted Horse
Coalition (www.unwantedhorsecoalition.org).
Here’s what the AAEP had to say:
“The AAEP's standards apply to all horses, regardless of their monetary
value, and are designed to avoid or terminate incurable and excessive suffering.
Included in the guidelines are the following test
statements:
·
Is
the condition chronic and incurable? ·
Does
the immediate medical condition have a hopeless prognosis for
life? ·
Is
the horse a hazard to itself or its handlers? · Will
the horse require continuous medication for the relief of pain for the remainder
of its life? · Will
the medical condition result in a lifetime of continued individual
confinement?
“Justification of euthanasia of an insured horse for humane reasons
should be based on medical grounds, rather than economic considerations.
Furthermore, in accordance with the AVMA’s position on the euthanasia of
unwanted animals, the AAEP is not opposed
to the euthanasia of unwanted animals, when appropriate, by properly trained
personnel, using acceptable humane methods.”(Emphasis added by
me.)
That last sentence is extremely pertinent today, at a time when an
increasing number of horse owners simply cannot pay to care for their horses. On
the same page, the AAEP states, “It is important to address the situation from a
practical standpoint as well.” One consideration for euthanasia is, “What kind
of special care will the horse require, and can you meet its needs? And can you
(the owner) continue to provide for the horse financially?” They also note that
two of the reasons of euthanasia are “dangerous behavioral traits” and
“debilitation of old age.”
The Unwanted Horse Coalition asks the question, “What are my options if I
can no longer take care of my horse?” And the fourth and final answer is, “”Have
your horse humanely euthanized by a veterinarian.”
The UHC lists well more than 100 site owners who will take retired or
unwanted horses (some for a fee, some not), but only a handful could house more
than 100 horses. About two-thirds could house fewer than 25 horses, and most of
them offered caveats like, “Currently have space for one/two additional horses.”
I’d bet these sites don’t have the capacity to handle more than 1,000 additional
horses right now. Obviously, they can’t house the tens of thousands of
unfortunately unwanted horses that crop up each year.
As I said at the top, Donna has offered a thought-provoking question, one
that’s wrapped up in emotion, personal finance, macroeconomics and national
politics. It’s a question that doesn’t have an easy answer. The best we can do
is to keep talking about it.
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| Thanks For Your Comments |
May 12, 2009
by John Strassburger
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My hope when I started writing this blog in April was that readers would
send me their comments and that I’d periodically respond to them. Well, I
received several interesting responses to my very first blog “Let’s Talk About
Breeding Horses,” which appeared on April 7. Here’s one response, from a woman
who breeds and trains horses and is trying to navigate her way through these
economic times.
Jean White of Florida wrote: “For 25 years I taught, trained, and judged
dressage—13 of those years were starting and training young horses. I love
babies and young horses and needed a change due to some medical issues. So I
decided to breed dressage and driving horses and ponies just for the amateur and
junior market. I spent a couple of years riding my mares to make sure they were
talented, sound and easy to ride before becoming my broodmares. My stallions I
still ride daily. All our foals are extensively handled, and most amateurs can
clip, load, lead, etc. all of our babies.
“I wish more buyers would place a greater premium on buying a young horse
that has confidence, inner tranquility, good manners, good breeding, and no
baggage. I love what I do, but I will not be breeding back my mares this year.
Because they were all good riding horses, they will go to work this year
teaching lucky riders about dressage and driving. Meanwhile I will back the
3-year-olds and hope that I can do some creative financing with local trainers
to show the youngsters since I can no longer do it myself. I hope next year will
bring smarter horse-buying consumers and a better market.“
Jean touches on several good points. First, she reminds us that to keep,
ride or train horses (as a hobby or as a business), we have to be resilient and
adaptable. We have to be able to accept that caring for, training and competing
horses will hardly ever go exactly the way we planned it. So we have to be able
to adapt, to regroup, to go in a different direction. One of those ways is to be
willing to try new methods or even a new sport if your horse has shown you he
doesn’t want to do your favorite sport. And if you don’t want to change sports,
then you need to be willing to sell or lease him to someone else, to someone who
wants to do what your horse wants to do.
Jean also mentions “creative financing” to advance the training and
competitive experience of the horses she’s bred. That’s a solution I discussed
in both the May issue of the Horse
Journal (“You Can Tighten Your
Belt, But Still Keep Training”) and in my April 27 blog. I can assure you that
most competent trainers are willing to make creative deals almost any time, but
right now we’re especially motivated. I mean, we’re all trying to weather the
same storm!
But the most important point Jean makes strikes to the heart of the
American sporthorse breeding challenge. Let me compare U.S. sporthorse breeding
to retail clothes marketing. And let me define what I mean when I say sporthorse
breeders: People who have one or more broodmares that they’ve chosen to breed
because of their type, pedigree and/or performance and have selected stallions for
these mares based on more factors than “he’s down the road and free.” These breeders can have anywhere from
one mare to dozens. I’m not talking
about people who have a grade mare they can’t ride (because of physical or
mental unsoundness, of horse or rider) and think, “I should breed
her.”
Now, so these U.S. sporthorse breeders are producing horses that, if they
were clothes, you’d buy at J. Crew, Saks Fifth Avenue, Coldwater Creek or Brooks
Brothers. But the vast majority of U.S. buyers are only willing to spend money
on the clothes they can buy at Wal-Mart or maybe Sears. And that’s why it’s
really, really hard for U.S. breeders to make a financial go of it. When you’re
a breeder and you’ve put $10,000 into a horse who’s 3 years old (cost of and
care of mare, stud fee, pre-natal vet care, neo-natal vet care, and feeding and
training of foal) and all you can get for him is $4,500—well, you’ve lost money.
And it’s bloody hard to find someone willing to buy a horse that young because
precious few Americans are willing to train and develop horses. Now, multiply
that loss by two or three or four, and you get numbers that look like a small
version of GM.
Perhaps you’ll reply, “Well, of course we’re always looking for a
bargain. It costs money to keep any horse.” Oh, I know that! But a cheap horse
is often a false bargain. What precious few horse owners are willing to accept
is that, in the long run, it’s more cost-effective to spend a few thousand
dollars more to buy a good, suitable horse than it is to buy a questionably
suitable horse and then pay to keep a horse you can’t ride and don’t enjoy.
We’ve had several people who’ve come to our farm to try our young horses
and then gone to buy less expensive horses. At least two of them bought horses
that they can’t ride. One lady bought a horse that was completely unsuited to
her ability, a horse that, after well more than a year, she’s barely ridden. The
horse she didn’t buy, who was then 4 and competing successfully, has continued
to compete successfully with a junior rider.
Next week I’ll respond to more readers, who ask about another element of
the horse-ownership equation: unwanted horses.
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| WEG Fever Was High At The Rolex Kentucky Three-Day Event |
May 5, 2009
by John Strassburger
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I’ve
made an annual trek to the Rolex Kentucky Three-Day Event since 1982—for the
first 24 years to cover it as a reporter and for the last three years to work
for the event in the Media Center—and every year I return with a dozen or so
things to write about. So I’m just going to jump right in this
week.
(By the way, if you’re not familiar with Rolex Kentucky, which usually
draws 100,000-plus spectators to the spectacular Kentucky Horse Park in
Lexington, go to the event’s website, www.rk3de.org.)
This year’s event was definitely a prelude to the 2010 Alltech FEI World
Equestrian Games. To start with, Kentucky Horse Park officials unveiled the
brand-new main stadium, on the same site as the previous main ring. The arena
itself is somewhat smaller, and, unfortunately, the bank jump and trees have
been removed for the sake of viewing. But the lovely new covered grandstand on
one side seats 7,000. The bleachers on the other side seat several thousand
more. For Rolex Kentucky, the other two sides of the ring are occupied by
sponsors’ tents, which may not be there for the WEG, when the stadium (the venue
for the three-day dressage and show jumping, plus the regular dressage and show
jumping championships) will seat 30,000.
You could also feel the WEG fever rising in the unprecedented
international flavor in the competitors and in the press corps. Almost half of
the 50 starters (22) were from nine foreign countries, including Great Britain,
Germany, the Netherlands and Australia. These were mostly the top riders from
these countries, who’d come to get familiar with the course and facilities, and
an indication of their ability was that seven of the top 10 finishers were
foreigners.
Consequently, we media staffers were busy little bees working with the
bigger-than-ever foreign press contingent. Marty Bauman, the Rolex Kentucky
press officer, has just been named the chief press officer for the WEG, so it
was excellent experience for those of us who work for him at
Kentucky.
Whenever riders compete two horses at Rolex Kentucky, they’re scheduled
in the first group and the last group of riders for dressage and for
cross-country. Usually, these riders are among the world’s best, and if you
watched Phillip Dutton, Buck Davidson, Bruce Davidson, William Fox-Pitt ride
their two horses around the 6,300-meter (3.3-mile) course, well, you watched a
clinic in how to ride cross-country. You saw positive, forward, confident
riding. You saw eager, well-prepared and well-conditioned horses either making
the jumps look easy or learning more with each jump. But above all you saw how
important balance is, because that’s how these four riders (and others too)
negotiate the jumps safely and well. They and their horses are, almost always,
in the correct balance for the jump and the ground that the jump is
on.
Still, Buck Davidson was the only one of this group who was ever among
the top three riders (he finished a strong third on My Boy Bobby). That’s
because the top two were exceptional horses who went absolutely beautifully for
the two women who’ve been their partners for the better part of a decade.
Headley Britannia and Ringwood Cockatoo were each just a joy to watch,
especially since they couldn’t be more opposite types.
Headley Britannia is officially listed as 15.3 hands, but I wouldn’t be
surprised if the chestnut, Irish-bred mare weren’t quite that tall. When I saw
her for the first time, at the first horse inspection on Wednesday afternoon, I
thought I was looking at the wrong horse. She looked kind of like a child’s
mount who’d been snuck into Rolex. But she’s a different horse under saddle, a
picture of athletic grace in dressage. She received the fabulous score of 32.3,
and then she zoomed around the cross-country course, finishing just under the
11:02 optimum time and with so much run still left in her that Lucinda
Fredericks had to run her into a three-board fence to pull her up. That round
put her in the lead, which she kept by never touching a show jump. And that
meant that in the last three years she’s won the world’s three biggest four-star
events.
The only horse to eclipse her dressage score was the gray Ringwood
Cockatoo, who earned the extraordinary dressage score of 28.8 with Bettina Hoy.
Ringwood Cockatoo is a 17-hand Irish Sporthorse, the kind of horse most event
riders would give their left leg to ride. He’s a striking horse and a
breath-taking mover, the kind of horse who makes everything look easy. But at 18
the Rolex course, and the required speed, were a bit of a struggle for him, and
Bettina could only get him home 24 seconds slow, leaving him
second.
Finally, I have to say a few words about Connaught, the bay gelding
Phillip Dutton rode to victory last year at Rolex Kentucky. Right after
finishing their faultless cross-country round, Phillip told me that he planned
to retire Connaught, who’s now 16. And on Sunday Connaught jumped a clear show
jumping round, to finish seventh, on his dressage score.
Connaught jumps every jump with 110 percent of his ability and gallops
with his heart between the fences. He’s given everything he has when he reaches
the cross-country finish line, and that’s why Phillip leaps off him as soon as
he crosses it. This time he also gave the horse an affectionate pat on the
head.
“I’d rather not retire him, but I think he deserves it. He doesn’t owe me
anything,” said Phillip, who’ll clearly miss him. We’ll miss him too.
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